Spring 2016
Introduction to the Civilization of Medieval and Modern India
Required Textbooks:
India Before Europe, C. Asher & C. Talbot, Cambridge University Press, ISBN 0521005396
A Concise History of Modern India, B. Metcalf & T. Metcalf, Cambridge University Press, ISBN 110767218X
READING AND COMPOSITION - India in the Writers Eye
READING AND COMPOSITION - India in the Writers Eye
READING AND COMPOSITION - India in the Writers Eye
Women in Modern Indian Literature
This course will focus on constructions of women articulated by both male and female authors in Modern Hindi-Urdu and Bengali literature in English translation. We will read a variety of literary forms––such as poetry, short stories, novels and essays––in an attempt to explore and analyze the multifarious constructions of women’s subjectivity, the ways in which women subvert and/or uphold traditions that posit their inferiority and the social consequences of these actions. A selection of the literature we will read includes but is not limited to: Rabindranath Tagore’s The Home and the World and A Grain of Sand, Prabhat Kumar Mukhopadhyay’s short story “Devi,” the poems of Suryakanth Tripathi (a.k.a. “Nirala”), Mahadevi Varma’s poems and essays and the short stories of Razia Sajjad Zaheer.
Introduction to Hinduism
Required Textbooks:
Darsan: Seeing the Divine Image in India, Diana Eck, Columbia University Press, ISBN: 9780231112659
An Introduction to Hinduism, Gavin Flood, Cambridge University Press, ISBN: 0521438780
The Bhagavad-Gita: a new translation, George Thompson, North Point Press, ISBN: 9780865477445
India: Brief History of a Civilization, Thomas Trautmann, Oxford University Press, ISBN: 9780199736324
Readings in Indian Buddhist Texts
READING AND COMPOSITION - Under Western Eyes
READING AND COMPOSITION - Under Western Eyes
READING AND COMPOSITION - Under Western Eyes
FRESH/SOPH SEMINAR - Southeast Asian Performing Arts
The course focuses on Southeast Asian Performance, specifically Indonesian dances, and Philippine theater and music. Discussions shall be guided by the following questions: How have geography, religion, social structures, customs, and beliefs shaped indigenous performing art forms? How are performing traditions revitalized in contemporary times? How have experiences of colonialism and social movements informed the work of performing artists? How can we read/view these works today?
FRESH/SOPH SEMINAR - Exploring the Short Story in the Philippines and Indonesia
In both the Philippines and Indonesia, the short story is an important vehicle for artistic, emotional and socio-political expression and experimentation. This seminar will introduce students to some of the major contemporary themes, including romance, resistance, gender, and the challenges of modernization and the new global order. The comparative perspective will enrich our understanding of the strong narrative traditions of these two important countries of island Southeast Asia.
FRESH/SOPH SEMINAR - Contentious Politics and Southeast Asian Literature
This course looks into the dynamics of literature and politics in Vietnam and the Philippines by asking the following questions: How have writers articulated their beliefs on colonialism, human rights, gender and class through poetry and fiction? When does ideology inform literary techniques? How can we study specific genres such as prison literature, guerrilla literature, and underground newspapers and literary magazines?
TOPICS, S,SEASN - Filipino American History
Using a multi-disciplinary approach, the course focuses on Filipino American History through narratives, literature, and performance. Among the topics that the course explores are: Philippine colonial history and the making of the “good colonial” subject; metaphors of the American dream; performing the “Filipino”; caregivers and the trope of servitude; US bases in the Philippines and biracial children; gender, exoticism and self-exoticism; “Filipinizing” and appropriating spaces in the United States; and the US Visiting Forces Agreement and diaspora nationalisms.
Roomshared with Asian American Studies 124
TOPICS, S,SEASN - The Philosophies of Classical India
TOPICS, S,SEASN - Southeast Asian Literature as Cultural Trans/Action
This course, jointly taught by professors Sylvia Tiwon and Penny Edwards, introduces students to the literature of Southeast Asia by exploring how fiction, poetry and drama engage their social and cultural contexts. We will discuss how works of modern literature emerge from oral and court traditions, the impact of early global trade, the colonial encounter and nationalist movements.
Literature has played a critical role in Southeast Asian cultural, social and political life both as a source of aesthetic pleasure and entertainment, and for its persuasive powers. Thinking of literature as cultural action enables us to see Southeast Asian writers and poets as change agents whose work cannot be quarantined as “culture” but has deeper implications for struggles to improve the human condition in multiple social and political contexts. Our focus on “trans” embraces both the polyphonic world of Southeast Asian literary production, and the literature of estrangement penned by Southeast Asians overseas and Europeans in Southeast Asia.
TOPICS, S,SEASN - Introduction to Film and Philippine Cinema
Introduction to film and Philippine cinema: history, development, issues and concerns.
Buddhism in Contemporary Society
SEMINAR IN S,SEASN
SEMINAR IN S,SEASN - Models of the Mind: A Comparative View from South India
Almost by definition, the imaginary is unreal. The realm of children, dreamers, poets, artists, religious visionaries, the superstitious, and lunatics, it is often discussed as an epiphenomenal curiosity—a creative byproduct of the mind, but a misleading one. In this seminar, we will take imagination more seriously. Through a series of readings, in combination with several invited guests and lectures, we propose to explore how imagination is in fact fundamental to a wide range of academic disciplines, and even to human existence itself. Readings will therefore be drawn from a broad range of communities, from Indian and Chinese literature to Jewish mysticism and Psychoanalytic theory. In February, the course will join with a stand-alone four-week seminar on “Models of the Mind” being taught by David Shulman of Jerusalem University, Spring 2016 Avenali Chair at the Townsend Center for the Humanities. These weeks will culminate in a series of Townsend Center events on dreaming and the imagination that students will be expected to attend. Note that students may enroll in Shulman’s four-week seminar separately through the Townsend Center. No prerequsites.
Introduction to the Civilization of Southeast Asia
Peoples and Cultures of Island Southeast Asia
This course is an introduction to the cultures, histories, religions and arts of Indonesia, the Philippines, Malaysia, Singapore and East Timor. We will explore indigenous and exogenous frameworks for understanding the region from its early and mythological states to the present. As much as possible, we will look to original source materials with a dual emphasis, firstly on traditional and modern rituals and artistic performances, and secondly, on formal and informal mechanisms of law and governance. All materials will be presented in English, and no previous language or area expertise is required.
BENGALI - Introductory
BURMESE - Introductory
FILIPINO - Introductory
This is the continuation of Filipino 1A Beginners’ class with emphasis on the four basic skills: listening, speaking, reading, and writing. The course uses the functional approach in learning a language.
The students focus on basic conversational skills in Filipino. At the end of the course, they should be able to use Filipino in greetings and situations such as visiting a friend’s house, shopping, telling the time, making an appointment, asking and giving directions. They should also be able to use Filipino in: describing people, objects, and places; narrating an event or simple story; expressing feelings; and expressing agreement or disagreement.
The teacher shall use Filipino and English with the aid of pictures and other teaching materials. However, English may be used in explaining grammar rules and discussing Philippine culture. Classroom techniques shall include games, songs, pair- work, role- plays and writing exercises.
FILIPINO - Introductory
This is the continuation of Filipino 1A Beginners’ class with emphasis on the four basic skills: listening, speaking, reading, and writing. The course uses the functional approach in learning a language.
The students focus on basic conversational skills in Filipino. At the end of the course, they should be able to use Filipino in greetings and situations such as visiting a friend’s house, shopping, telling the time, making an appointment, asking and giving directions. They should also be able to use Filipino in: describing people, objects, and places; narrating an event or simple story; expressing feelings; and expressing agreement or disagreement.
The teacher shall use Filipino and English with the aid of pictures and other teaching materials. However, English may be used in explaining grammar rules and discussing Philippine culture. Classroom techniques shall include games, songs, pair- work, role- plays and writing exercises.
FILIPINO - Introductory
This is the continuation of Filipino 1A Beginners’ class with emphasis on the four basic skills: listening, speaking, reading, and writing. The course uses the functional approach in learning a language.
The students focus on basic conversational skills in Filipino. At the end of the course, they should be able to use Filipino in greetings and situations such as visiting a friend’s house, shopping, telling the time, making an appointment, asking and giving directions. They should also be able to use Filipino in: describing people, objects, and places; narrating an event or simple story; expressing feelings; and expressing agreement or disagreement.
The teacher shall use Filipino and English with the aid of pictures and other teaching materials. However, English may be used in explaining grammar rules and discussing Philippine culture. Classroom techniques shall include games, songs, pair- work, role- plays and writing exercises.
FILIPINO - Introductory Filipino for Heritage Learners Online
Prerequisites. Completion of Filipino 1A and 1B, or one year of Tagalog instruction, or placement test.
Filipino 1Y WBL is a distance-learning elementary Filipino class designed for heritage learners. It is the second course in the elementary Filipino for Heritage Learners sequence (Filipino 1X and Filipino 1Y). This course further builds on the students’ knowledge of the language to harness four basic skills: listening, speaking, reading, and writing, and uses the functional-situational approach in learning a language.
FILIPINO - Intermediate
This is an intermediate class with emphasis on the four basic skills: listening, speaking, reading, and writing. The course uses the functional-situational approach in learning a language.
The students shall learn four necessary skills in the effective use of Filipino: paglalahad (defining and explaining); paglalarawan (describing a person, place, or feelings); pagsasalaysay (narrating a story); and pangangatwiran (arguing). The vocabulary of the student is expanded through sample dialogues and short essays. Each lesson shall have several components: reading a text to increase vocabulary and study grammatical structures; doing a role-play; listening, and writing a short dialogue (eight lines) or a short paragraph (four to five sentences). Other classroom techniques are games, songs, and pair work.
At the end of the course, the students should be able to talk about themselves, their families and their communities, articulate their problems, needs and desires, narrate events, explain about their customs and traditions in the Filipino-American communities in the United States, and debate about issues relevant to them.
FILIPINO - Intermediate
This is an intermediate class with emphasis on the four basic skills: listening, speaking, reading, and writing. The course uses the functional-situational approach in learning a language.
The students shall learn four necessary skills in the effective use of Filipino: paglalahad (defining and explaining); paglalarawan (describing a person, place, or feelings); pagsasalaysay (narrating a story); and pangangatwiran (arguing). The vocabulary of the student is expanded through sample dialogues and short essays. Each lesson shall have several components: reading a text to increase vocabulary and study grammatical structures; doing a role-play; listening, and writing a short dialogue (eight lines) or a short paragraph (four to five sentences). Other classroom techniques are games, songs, and pair work.
At the end of the course, the students should be able to talk about themselves, their families and their communities, articulate their problems, needs and desires, narrate events, explain about their customs and traditions in the Filipino-American communities in the United States, and debate about issues relevant to them.
FILIPINO - Intermediate Filipino Online
FILIPINO - Advanced
Prerequisites: Two years of Filipino or placement test, or consent of instructor.
Students read and discuss literary texts and essays on language, literature, and Philippine society and have bi-weekly translation and writing workshops. For their final individual project, students choose among the following: a creative work (poetry or fiction); a translation; or a research paper.
HINDI - Introductory
This course is continuation of the fall 2015 semester Hindi/Urdu 1A course and emphasizes the development of full range of Hindi language skills: reading, listening comprehension, use of grammatical structures, oral and written communication through a variety of learning themes and interactive activities.
Note:
This course strictly enforces a fall semester Hindi/Urdu 1A prerequisite, or admission with the permission of the instructor. Students are expected to come to this semester already knowing the basic Hindi conversation along with reading, and writing skills using Devanagari script. Admission priority will be given to the students who have completed Hindi/Urdu 1A course in fall 2015, followed by the students who have taken the Hindi/Urdu 1A in fall 2014 or before. Other students will not be allowed.
HINDI - Introductory
This course is continuation of the fall 2015 semester Hindi/Urdu 1A course and emphasizes the development of full range of Hindi language skills: reading, listening comprehension, use of grammatical structures, oral and written communication through a variety of learning themes and interactive activities.
Note:
This course strictly enforces a fall semester Hindi/Urdu 1A prerequisite, or admission with the permission of the instructor. Students are expected to come to this semester already knowing the basic Hindi conversation along with reading, and writing skills using Devanagari script. Admission priority will be given to the students who have completed Hindi/Urdu 1A course in fall 2015, followed by the students who have taken the Hindi/Urdu 1A in fall 2014 or before. Other students will not be allowed.
HINDI - Intermediate
Intermediate language course will focus on expanding all language skills (reading, writing, speaking), mastering grammar patterns and new vocabulary through authentic readings. This course acquaints students with representative readings from Hindi texts on pivotal cultural issues from a wide variety of sources, to enable them to acquire cultural competence in the language. Systematic training in advanced grammar and syntax, reinforced by exercises in composition, both oral and written will be integral part of the course.
This course is continuation of the fall semester Hindi/Urdu 100A course and strictly enforces a fall semester Hindi/Urdu 1A prerequisite, or admission with the permission of the instructor.
HINDI - Advanced, Readings in Modern Hindi
Required Textbooks:
Intermediate Hindi Reader, U. R. Jain & K. Schomer, Institute for South Asia Studies, University of California, Berkeley, ISBN 087725351X
Advanced Hindi Grammar, U. R. Jain, Institute for South Asia Studies, University of California, Berkeley, ISBN 094461342X
HINDI - Hindi Literature
INDONESIAN - Introductory
(This is the continuation of Indonesian 1A. Indonesian 1A is a prerequisite, or with the instructor’s consent)
In Indonesian 1B, students are expected to be able to satisfy routine social verbal and written demands and be able to handle routine work-related interactions that are limited in scope. Students are also expected to be more confident in casual and everyday conversations about current events, family, and work. Simple, authentic reading materials are introduced.
INDONESIAN - Intermediate
INDONESIAN - Intermediate
KHMER - Introductory
Prerequisites: 1A or equivalent.
Students complete their study of everyday standard Khmer to a "survival" level.
While the memorization of vocabulary and common personal exchanges practiced in Khmer 1A will make up the majority of material studied, students will have some opportunity to learn to improvise and talk about personal work and research interests in Khmer. Topics include transportation and directions, the world of work, religion, health, and conducting daily life in Cambodia. Students learn to read simple authentic texts such as folk tales, personal letters, forms and roadside signs. Students continue their study of culturally appropriate behavior in the context of Khmer culture, including notions of "saving face" and maintaining social harmony, and how these are expressed in both spoken language and in one's actions.
KHMER - Intermediate
Prerequisite: Khmer 100A.
Students learn to read roadside signs, scholarly articles, and an entire Khmer novel.
Topics include current events in Cambodia, Cambodian history and politics, and a basic overview of traditional Khmer literature. Much of this study will be accomplished by working on projects in groups with other students. One such project will involve the preparation and performance of a play based on sections of the modern Khmer novel students read in this course. All students will design and carry out an independent research project on the topic of their choice (which will account for 30% of the final grade), and present their research at the end of the second semester to an audience of their peers, entirely in Khmer.
KHMER - Advanced
Students will read advanced texts dealing with the topics of politics and history. They will also gain exposure to traditional, verse texts, and read, discuss, and undertake group projects based on a variety of modern Khmer short stories. As is the case with Intermediate Khmer, students will also undertake substantial independent study, culminating in a final oral presentation. However, the standard by which both written and oral material will be judged will be much higher for Advanced students. Special attention will be paid to formal speaking style and advanced grammatical structures in Khmer for all students, and colloquial spoken expression for non-native speakers.
MALAY - Seminar in Malay Letters and Oral Traditions
PUNJABI - Introductory
PUNJABI - Intermediate
SANSKRIT - Elementary
SANSKRIT - Intermediate
SANSKRIT - Literature
TAMIL - Introductory
This introductory level course focuses on progressive acquisition of language skills to communicate effectively in both written and spoken Tamil. It facilitates development of Listening, Speaking, Reading and Writing competence along with basic grammar.
TAMIL - Readings
Excerpts from contemporary short stories, novels, prose and other forms of Tamil literature authored by popular Tamil writers will be used as reading material. Films will be used as supplementary material for discussions.
TAMIL - Seminar in Tamil Literature
TELUGU - Elementary
This elementary level course focuses on progressive acquisition of language skills to communicate effectively in Telugu. It facilitates development of Listening, Speaking, Reading and Writing competence along with basic grammar.
THAI - Introductory
Continuing on from the fundamental knowledge of syllable construction learned in Thai 1A, this course is designed to rapidly elevate student's literacy, with the goal of completely abandoning transcription by mid-semester. By the end of the course, students should be reading and writing short descriptive and creative essays, equivalent to 2nd grade students in Thai school. Students continue to learn new vocabulary, grammar and practical thematic conversation with the opportunity to practice with native speakers. Students will also be introduced to Thai customs, culture and value, through a variety of media and cultural activities. Thai is used as the language of instruction up to 20% of the time.
Prerequisite: Thai 1A, (Beginning Introductory Thai) or equivalent, by consent of instructor. Ability to speak some Thai and carry out basic conversation about oneself, family, food, and numbers. Knowledge of the alphabet, and ability to read and write simple words at rudimentary level.
THAI - Intermediate
Intermediate Thai 100B is an upper intermediate level course, a continuation of Intermediate Thai 100A. Students will learn to read longer and more abstract writing, advertisements from newspapers, and articles from magazines and webpage. The class will cover expressions, figures of speech, higher level grammar, and hierarchical pronouns. Writing will move from descriptive to expository. To increase verbal skills and cultural education, students will watch karaoke, TV advertisements, and films. Students will also have regular intensive conversation practice and in-class presentation. The language of instruction will be in Thai approximately 50% to 70% of the time. By the end of the semester, the average student should have acquired a level of literacy equivalent to 5th to 6th grade in Thai schools.
Prerequisite: Thai 100B (Lower Intermediate Thai) or equivalent, by consent of instructor. Ability to read descriptive articles, and write short composition equivalent to 3rd - 4th grade students in Thai school. Capable of carrying informal conversation on a general subject with medium fluency.
THAI - Advanced
This course is designed to enhance the students’ competence in reading and writing Thai. The students will be reading texts from The Thai Cultural Reader, newspapers, news from internet, selected short stories. The students will improve listening skill from listening to audio materials The students will discuss both orally and writing in great length on selected topics. the language of instruction is 100% in Thai.
URDU - Introductory
URDU - Intermediate
URDU - Advanced
VIETNAMESE - Introductory
VIETNAMESE - Introductory
VIETNAMESE - Intermediate
VIETNAMESE - Advanced
READING AND COMPOSITION - India in the Writers Eye
FRESH/SOPH SEMINAR - Daring Divas and their Legacies: Joyce Bryant, Lin Dai, Marilyn Monroe, Sara Montiel and Dy Saveth
From Nicki Minaj, G-Eazy, Grinderman and Elton John to Andy Warhol and Cindy Sherman, Marilyn Monroe’s afterlife spans multiple generations and genres. This seminar contrasts that legacy with four of her global contemporaries. Joyce Bryant and Sara Montiel both rocketed to fame in the US only to vanish from the pages and stages of North American popular culture. Lin Dai of Hong Kong and Dy Saveth of Cambodia were widely revered screen goddesses of their era in East and Southeast Asia, but Lin’s career was cut short by suicide and Dy’s, by civil war and the Khmer Rouge regime.
Bryant graced the cover of Life magazine in 1955, was voted one of the five most beautiful black women in the world by Ebony in 1956, defied Ku Klux Klan threats to perform in Miami, and advocated against Jim Crow laws. The first Spanish actress courted by Hollywood, Montiel gained fame in Mexico before co-starring with Gary Cooper in Vera Cruz (1954). Her 1950s box-office success in Spain catapulted her to stardom across Western Europe and Latin America, with soundtrack sales eclipsing those of Elvis Presley and Frank Sinatra. Lin Dai, who visited Hollywood and audited courses at Columbia University in 1959, was widely iconized in China and beyond while Dy Saveth, awarded the first Miss Cambodia title in 1959, earned a wide fan-base across Southeast Asia for her film roles.
Of these five artistic geniuses, why does Monroe’s legacy still dominate and subordinate? And why does Marilyn’s celebration of her body still incite the invective of a range of writers from feminist critics to fashion pundits? In exploring these questions, we will examine the roles of misogyny, Anglo-centrism, white supremacy and cultural chauvinism in the elision of Bryant, Dy, Lin and Montiel from mainstream celluloid and musical media in North America. We will also examine how the female body and voice remains a prime site for virtual and actual acts of erasure, ranging from the 1950s radio and screen ban on Bryant’s songs and a Monroe dress to the censure of Montiel’s film in 1970s China, 1990s physical violence against Cambodian women performers, the male-dominated fashion industry’s prompotion of the post-millennial thigh-gap and Style magazine’s prescriptions for women’s work wear. Our sources include news media, film and audio archives, memoir, couture, and film and radio board censorship rulings.
Dept/Crs![]() |
Sec | Title | Instructor | Days/Times | Location | CCN |
---|---|---|---|---|---|---|
BANGLA 1B | 1 | BENGALI - Introductory | BASU, A | MW 12-2P & F 12-1P | 35 DWINELLE | 84403 |
BURMESE 1B | 1 | BURMESE - Introductory | WONG, K | WF 4-6P & Th 5-6P | 262 DWINELLE | 84500 |
FILIPN 1B | 1 | FILIPINO - Introductory | ABAN, C C | MTWThF 11-12P | 228 DWINELLE | 84603 |
FILIPN 1B | 2 | FILIPINO - Introductory | ABAN, C C | MTWThF 12-1P | 187 DWINELLE | 84606 |
FILIPN 1B | 3 | FILIPINO - Introductory | ABAN, C C | MTWThF 1-2P | 251 DWINELLE | 84609 |
FILIPN W1Y | 1 | FILIPINO - Introductory Filipino for Heritage Learners Online | BARRIOS-LEBLANC, M | MTh 4-530P & F 3-5P | INTERNET | 84611 |
FILIPN 100B | 1 | FILIPINO - Intermediate | LLAGAS, K | TTh 1230-2P & F 12-2P | 89 DWINELLE | 84612 |
FILIPN 100B | 2 | FILIPINO - Intermediate | LLAGAS, K | TTh 2-330P & F 2-4P | 233 DWINELLE | 84615 |
FILIPN W100B | 1 | FILIPINO - Intermediate Filipino Online | LLAGAS, K | MW 5-630P | INTERNET | 84618 |
FILIPN 101B | 1 | FILIPINO - Advanced | BARRIOS-LEBLANC, M | TTh 1230-2P | 180 BARROWS | 84621 |
HIN-URD 1B | 1 | HINDI - Introductory | SIRASAO, P | MTWThF 11-12P | 254 DWINELLE | 84803 |
HIN-URD 1B | 2 | HINDI - Introductory | SIRASAO, P | MTWThF 12-1P | 255 DWINELLE | 84806 |
HIN-URD 100B | 1 | HINDI - Intermediate | SIRASAO, P | MWF 10-11A | 105 DWINELLE | 84812 |
HIN-URD 101B | 1 | HINDI - Advanced, Readings in Modern Hindi | JAIN, U R | TTh 11-1230P | 89 DWINELLE | 84818 |
HIN-URD 221 | 1 | HINDI - Hindi Literature | PARAMASIVAN, V | M 2-5P | 211 DWINELLE | 84827 |
HIN-URD 2B | 1 | URDU - Introductory | JALIL, Q | MTWThF 2-3P | 130 DWINELLE | 84809 |
HIN-URD 103B | 1 | URDU - Intermediate | JALIL, Q | MWF 3-4P | 222 WHEELER | 84821 |
HIN-URD 104B | 1 | URDU - Advanced | JALIL, Q | MWF 5-6P | 180 BARROWS | 84824 |
KHMER 1B | 1 | KHMER - Introductory | SMITH, F J | MTWThF 2-3P | 33 DWINELLE | 85003 |
KHMER 100B | 1 | KHMER - Intermediate | SMITH, F J | MW 4-530P & TTh 4-5P | 33 DWINELLE | 85006 |
KHMER 101B | 1 | KHMER - Advanced | SMITH, F J | TTh 930-11A | 33 DWINELLE | 85009 |
MALAY/I 1B | 1 | INDONESIAN - Introductory | LUNDE, N K | MW 10-12P & F 12-1P | 205 DWINELLE | 84103 |
MALAY/I 100B | 1 | INDONESIAN - Intermediate | LUNDE, N K | MW 12-2P & F 12-1P | 130 DWINELLE | 85106 |
MALAY/I 100B | 2 | INDONESIAN - Intermediate | LUNDE, N K | TTh 10-12P & F 11-12P | 101 WHEELER | 85109 |
MALAY/I 210B | 1 | MALAY - Seminar in Malay Letters and Oral Traditions | TIWON, S C | W 9-10 & W 10-12P | 342 DWINELLE | 85112 |
PUNJABI 1B | 1 | PUNJABI - Introductory | UBHI, U K | TTh 930-11A & F 10-12P | 204 DWINELLE | 85203 |
PUNJABI 100B | 1 | PUNJABI - Intermediate | UBHI, U K | TTh 8-930A & F 10-12P | 210 DWINELLE | 85203 |
S ASIAN 1B | 1 | Introduction to the Civilization of Medieval and Modern India | PARAMASIVAN, V | TTh 11-12P | 219 DWINELLE | 84003 |
S ASIAN R5B | 1 | READING AND COMPOSITION - India in the Writers Eye | FERREIRA, N E | MWF 1-2P | 224 WHEELER | 84012 |
S ASIAN R5B | 3 | READING AND COMPOSITION - India in the Writers Eye | ROGAHN, K | TTh 1230-2P | 214 HAVILAND | 84018 |
S ASIAN R5B | 4 | READING AND COMPOSITION - India in the Writers Eye | HYLAND, R | MW 4-530P | 79 DWINELLE | 84021 |
S ASIAN 110 | 1 | Introduction to Hinduism | GOLDMAN, R P | MWF 11-12P | 219 DWINELLE | 84023 |
S ASIAN C215 | 1 | Readings in Indian Buddhist Texts | VON ROSPATT, A | W 3-6P | 288 DWINELLE | 84024 |
S ASIAN R5B | 2 | READING AND COMPOSITION - India in the Writers Eye | SUD, S | MWF 3-4P | 134 DWINELLE | 84015 |
S,SEASN R5B | READING AND COMPOSITION - Under Western Eyes | GUITIERREZ, K C | MWF 12-1P | 89 DWINELLE | 83503 | |
S,SEASN R5B | 2 | READING AND COMPOSITION - Under Western Eyes | BRUHN, K | MW 5-630P | 183 DWINELLE | 83506 |
S,SEASN R5B | 3 | READING AND COMPOSITION - Under Western Eyes | HEWITT, M R | TTh 930-11A | 78 BARROWS | 83509 |
S,SEASN 39I | 1 | FRESH/SOPH SEMINAR - Southeast Asian Performing Arts |
BARRIOS-LEBLANC, M LUNDE, N K ABAN, C C |
Tu 9-11A | 33 DWINELLE | 83512 |
S,SEASN 39J | 1 | FRESH/SOPH SEMINAR - Exploring the Short Story in the Philippines and Indonesia |
LLAGAS, K TIWON, S C |
F 10-12P | 205 WHEELER | 83515 |
S,SEASN 39L | 1 | FRESH/SOPH SEMINAR - Contentious Politics and Southeast Asian Literature |
BARRIOS-LEBLANC, M TRAN, H |
F 2-4P | 204 DWINELLE | 83517 |
S,SEASN 120 | 1 | TOPICS, S,SEASN - Filipino American History | BARRIOS-LEBLANC, M | TTh 11-1230P | 56 BARROWS | 83536 |
S,SEASN 120 | 1 | TOPICS, S,SEASN - The Philosophies of Classical India | WENTWORTH, B T | TTh 1230-2P | 215 DWINELLE | 83539 |
S,SEASN 120 | 3 | TOPICS, S,SEASN - Southeast Asian Literature as Cultural Trans/Action | EDWARDS, P S | TTh 2-330P | 209 DWINELLE | 83542 |
S,SEASN 120 | 5 | TOPICS, S,SEASN - Introduction to Film and Philippine Cinema | TOLENTINO, R | F 3-6P | 259 DWINELLE | 83548 |
S,SEASN C145 | 1 | Buddhism in Contemporary Society | THE STAFF | TTh 1230-2P | 3 LECONTE | 83551 |
S,SEASN 250 | 12 | SEMINAR IN S,SEASN | EDWARDS, P S | M 2-5P | 201 WHEELER | 83698 |
S,SEASN 250 | 2 | SEMINAR IN S,SEASN - Models of the Mind: A Comparative View from South India | DALTON, J | Tu 3-6P | 220 STEPHANS | 83701 |
S,SEASN 24 | 1 | FRESH/SOPH SEMINAR - Daring Divas and their Legacies: Joyce Bryant, Lin Dai, Marilyn Monroe, Sara Montiel and Dy Saveth | EDWARDS, P S | Th 4-5P | 204 WHEELER | 83511 |
SANSKR 100B | 1 | SANSKRIT - Elementary | GOLDMAN, S J | MWF 8-10A | 89 DWINELLE | 85303 |
SANSKR 101C | 1 | SANSKRIT - Intermediate | GOLDMAN, S J | MF 12-2P | 180 BARROWS | 85306 |
SANSKR 200B | SANSKRIT - Literature | GOLDMAN, R P | MF 2-330P | 346B DWINELLE | 85309 | |
SEASIAN 10B | 1 | Introduction to the Civilization of Southeast Asia | WINET, E D | MWF 9-10A | 170 BARROWS | 84103 |
TAMIL 1B | 1 | TAMIL - Introductory | SANKARA RAJULU, B | TTh 11-1230P & W 10-12P | 186 BARROWS | 85603 |
TAMIL 101B | 1 | TAMIL - Readings | SANKARA RAJULU, B | TTh 2-330P | 235 DWINELLE | 85606 |
TAMIL 210B | 1 | TAMIL - Seminar in Tamil Literature | WENTWORTH, B T | W 3-6P | 355B DWINELLE | 85609 |
TELUGU 1B | 1 | TELUGU - Elementary | SANKARA RAJULU, B | TTh 1230-2P & W 12-1P | 186 BARROWS | 85803 |
THAI 1B | 1 | THAI - Introductory | CHOWCHUVECH, S | MW 4-530P & F 11-1P | 228 DWINELLE | 85903 |
THAI 100B | 1 | THAI - Intermediate | CHOWCHUVECH, S | MW 1-230P & F 11-1P | B37 DWINELLE | 85906 |
THAI 101B | 1 | THAI - Advanced | CHOWCHUVECH, S | TTh 9-1030P | B33B DWINELLE | 85909 |
VIETNMS 1B | 1 | VIETNAMESE - Introductory | TRAN, H | MTWThF 11-12P | 83 DWINELLE | 86003 |
VIETNMS 1B | 2 | VIETNAMESE - Introductory | TRAN, H | MTWThF 12-1P | 179 DWINELLE | 86006 |
VIETNMS 100B | 1 | VIETNAMESE - Intermediate | TRAN, H | MTWThF 1-2P | 179 DWINELLE | 86009 |
VIETNMS 101B | 1 | VIETNAMESE - Advanced | NGUYEN, C N | TTh 930-11A | 225 DWINELLE | 86012 |